Images

The Images tab groups images that look alike — the same shot re-saved, resized, watermarked, turned on its side or upside down, or kept as both a RAW and a JPEG. They are not identical files, so nothing is ticked for you and Replace with hardlink is not offered.

Cropping is the exception, and it is worth knowing before you start. Trawler compares the whole picture at once, so trimming even a narrow border shifts everything it looks at and the two pictures stop resembling each other. A cropped copy will usually not appear in a group, and no Similarity setting brings it back — lowering the slider finds unrelated pictures long before it finds the crop. Cropped copies are a job for your eyes.

Run a scan first. The match reads the scan results; it does not go looking through your drives.

What it reads

.bmp, .gif, .heic, .heif, .ico, .jpg, .jpeg, .png, .tif, .tiff, .webp — plus camera RAW files when Prefer RAW applies, below.

Images are read by content, not by name, so an image saved with the wrong extension still matches.

iPhone images. HEIC and HEIF are matched using the HEIF support built into Windows, which most PCs already have. If yours does not, those images are left out of the match and Trawler says so once in the status line with a count — they are not listed one by one as errors. Installing HEIF Image Extensions from the Microsoft Store adds the support, and the next match picks them up.

A HEIC holding a burst or a live photo is matched on its main picture, the one Windows shows.

Images that were turned

An image turned on its side or upside down still matches the one it came from, and they land in the same group.

It makes no difference how the turn was made. Windows' own Rotate usually leaves the picture untouched and just attaches a note saying which way up it goes, while an editor that exports a turned copy writes the picture out the new way round. Both are found, and an image turned one way matches one turned the other.

This works in every matching style, on every image, with nothing to switch on.

The two matching styles

The Matching bar's first dropdown decides how two images are compared.

Choice On screen Use it for
General "Copies that were resized, re-saved or edited" The default, and the one to leave it on. It finds the same image again after it has been scaled, saved at a lower quality, or lightly edited.
Outlines "Matches shapes and edges — fussier about composition" A second opinion. It compares shapes and edges rather than tones, so it is stricter about how the picture is framed.

Switching the dropdown empties the list. Each style is worked out separately, so the first time you pick a new one there is nothing to show and you have to run Find similar images again. Once a style has been run, switching back to it is instant.

Similarity

The Similarity slider runs from 80% to 100% and starts at 96%. Hover it to read the current setting; while you drag, the figure follows the handle.

Lower it and you get more groups, including ones you will disagree with. Raise it and you get fewer, tighter groups. 100% means the images looked the same to the comparison — it does not mean the files are identical, which is what the Duplicates tab is for. It also means far fewer matches: the top of the slider hides a great many pairs most people would call the same image, which is why the starting point sits a little below it.

The matching style and the slider are not remembered between sessions. Every time you open Trawler the Images tab starts at General, 96% — the setting that puts the most trustworthy groups in front of you first. Prefer RAW and the compare-pane layout are remembered.

Moving the slider re-groups the images already read, so it normally takes effect straight away. If the new setting needs images that were not read the first time, Trawler keeps the current results and shows "Settings changed since the last image match." with Re-run and Revert instead.

Prefer RAW

Prefer RAW is on by default:

"Rank sharp RAW files ahead of JPEG/PNG in each group, so the best-quality RAW is the one kept."

With it on, a RAW file leads its group and is the one presented as the keeper. Turn it off and members order by how well they matched, then by sharpness, with no format preference.

It is a display and ranking setting. It never marks or removes anything.

RAW files are compared using the preview image the camera embedded in them, not the full sensor data. A RAW file with no embedded preview is skipped and recorded in Scan report → Scan errors.

These extensions are treated as RAW:

3fr ari arw bay cap cr2 cr3 crw dcr dcs dng drf eip erf fff gpr iiq k25 kdc mdc mef mos mrw nef nrw obm orf pef ptx pxn r3d raf raw rw2 rwl rwz sr2 srf srw x3f

If RAW support cannot start on your machine, RAW files are left out of the match entirely. Trawler notes it once in the status line rather than reporting every RAW file as an error.

Images that never appear

  • Blank or near-blank images — a solid colour or an almost-featureless frame is skipped, because every one of them would match every other one.
  • Very large images — anything wider or taller than 65,535 pixels is refused, as is any image that would need more than half your PC's memory to open. Both guard against a file claiming a size no real picture has.
  • Images that failed to open — recorded once in Scan report → Scan errors and not retried until the file changes.
  • Files you have already ticked on the Duplicates tab, while Exclude duplicates is on.

Sorting the groups

Three pills next to Sort: Reclaim (biggest space saving first), Best match first (tightest matches first), and Count (largest groups first).

Comparing two images

Pick a group and two of its images sit in the compare pane: A on the left, B on the right. A stays put — it is the one you are measuring against — and moving through the group changes B.

Four buttons above the pictures decide how the pair is shown:

Button What you see
Side by side The two pictures in their own panes.
Wipe One picture area, split by a divider you drag across. A on the left of it, B on the right.
Blend One picture area with B faded over A. A slider above the picture sets how much of each you see.
Flip One picture area, switching between A and B every 0.6 seconds.

Wipe, Blend and Flip are for differences too small to spot with your eyes travelling between two panes — a retouch, a watermark added later, a re-save that softened one corner. Flip is the one that finds a change you cannot describe: anything that moves is a difference.

Ctrl+← and Ctrl+→ move the wipe or the blend without touching the mouse. ← and → still move to the next image in the group.

Your choice is remembered between sessions, and the compare pane and full screen share it — set Blend in one and it is already Blend in the other.

Narrow the window and the controls that no longer fit collapse into a More controls button, from the middle of the bar outwards. Keep and Discard never leave.

Lining up a pair that does not match

Sync is on to begin with, and both pictures zoom and pan together.

Turn Sync off and dragging moves B alone, so you can line it up against A — the right control when the two do not sit squarely on top of each other. The view stops panning while it is off: you are moving one picture against the other, not moving both around the screen. Holding Shift while you drag does the same thing without turning Sync off.

Where you put B stays put. It survives switching between Wipe, Blend and Flip, and it survives moving to the next image in the group — a run of shots from one camera position needs lining up once, not once per picture. It is not kept between sessions.

Changing mode fits both pictures to the pane again and re-centres the wipe or blend.

Full screen

Open A full screen and Open B full screen give one picture the whole window. The same four buttons are there, with Single in place of Side by side, and they work the same way. In Wipe, Blend or Flip the counter and the Previous/Next buttons move B, leaving A as the one you are comparing against.

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